FAB Dimensional Projects
6. FAB Dimensional
Animation Expanded Exhibition
08.10.2026
, 19:00 – 22:00 hrs
|
Exhibition Opening
Other Opening Hours:
Fr 09.10. 10 a.m. – 10 p.m.
Sa 10.10. 11 a.m. – 10 p.m.
Su 11.11. 11 a.m. – 8 p.m.
Ryu FurusawaJapan, 2026-09-01 | Display, Computer, LautsprecherDigital coordinate transformation rewrites the temporal and spatial structure of train-window footage, transforming the experience of "passing" itself.
Anna MahendraGermany, 2026-09-01 | Projektor, Mediaplayer, div. ProjektionsflächenA collective of fantastic dreamlike sequences in which the wayfaring wander of the worlds are our protagonists. Inspired the culture of the Ainu (indigenous people of northern Japan) this installation connects dream and reality.
Vappu RossiFinland, 2024-09-01 | Projektor, Mediaplayer, LautsprecherThe shadow of a small tree magically grows and evolves as the light transitions from dawn to dusk.
Zhou HongxiangChina, 2026-09-01 | Videoprojektor, MediaplayerA square study of multiple situations, exploring the life and vitality of objects. Concrete, abstract, tangible, and disorderly.
Vappu RossiFinland, 2024-09-01 | Projektor, Mediaplayer, LautsprecherIn the pale light of February, we see the shadow of an animal-themed mobile come to life and evolve. With a touch of wistfulness and melancholy, yet gently humorous, the film follows the light as the day unfolds, from dawn to dusk.
Kirsti TaiviolaFinland, 2021 – 2023 | Installation mit 7 Glaslinsen und LeuchtmittelnA reflection on invisible substances. With our eyes, we can detect the existence of air by observing the movement around us; shaking leaves or dust flying in the wind. By looking at a flying bird we can understand that the air carries it, but the air itself remains invisible.
Peter William HoldenGermany, 2026-09-01 | DiaprojektorenAn analogue, generative installation playing on the interplay of light and shadow. Eight Kodak slide projectors from the 1960s create more than 60,000 abstract image combinations, which rotate endlessly at a reduced frame rate against a purely mechanical soundscape.
Alberto CouceiroGermany, 2026-09-01 | 16mm Filmprojektoren, 16mm FilmHand-drawn animations scratched directly onto 16mm film meet historical projection equipment here: Noris film projectors, sold as ‘toys’ in the 1950s, form the heart of this triptych film projection. Animation loops floating side by side merge in the space to create a timeless, analogue symphony.
Eduardo Hargreaves Carvalho de GodoyBrazil, 2026-09-01 | Videoprojektoren, Mediaplayer, Inkjet-DruckeThe past and the present converge in an endless sequence of remembering and forgetting. Animations created by erasing charcoal drawings interplay with the remnants of the drawings on paper. The result is a spatial exploration of the fading traces of memory – a ceaseless wave of formation and decay.
Betina KuntzschGermany, 2026-09-01 | Videoprojektoren, MediaplayerFormations of lines move horizontally across two screens. The animation loops, which vary in length, constantly give rise to new sequences of movement.
Lynn Tomlinson,Josh Dorman,Jacob Garcia-BuñuelUSA, 2026-09-01 | Rückprojektionsflächen, Videoprojektoren, Mediaplayer, LautsprecherAn ode to nature’s pulse and a requiem for the earth’s seasonal vibrancy, exploring the visceral, uncanny, and sensory dimensions of the natural world amid the anthropocentric threats to seasonal cycles. Four collaboratively-crafted collage animations with layered soundscapes remind us that our perceived separation from nature comes at our peril.
Hallie BahnUSA, 2026-09-01 | Objekt, Videoprojektor, Mediaplayer, LautsprecherA miniature waiting room becomes a stage: drawn frame by frame, the work challenges conformist role models and our unconscious complicity with our own immobility.
couch: Hiroki Miyazaki, Reiko AsaoJapan, 2026-09-01 | Holz, Tintenstrahldruck auf Papier, Tintenstrahldruck auf Transparentfolie, umgebaute SpielzeugeisenbahnEcology, myths and the slit animation technique come together in this large-scale installation. Through two-phase loops, stories, observations and reflections on wildcats are conveyed directly through the medium itself.
